7/29/2023 0 Comments Chew sceneryLouis Hofmann gives an outstanding performance in the period drama “The Forger,” playing the real-life Jewish artist and World War II resistance fighter Cioma Schönhaus, who survived in Nazi-governed Berlin in the early 1940s thanks in part to his ability to reproduce convincing documents. Available on VOD / ‘The Third Saturday in October.’ Not rated. ‘The Third Saturday in October: Part V.’ Not rated. Only one of these two pictures works on its merits, and it’s not “Part V.” But that’s as it should be. He’s on top of everything here: from the regional quirks to the period-appropriate music to the way minor details in one film become unskippable traditions in the sequels. (To be fair, the later entries in horror series are often rather silly.) But it’s hard not to be impressed by Burleson’s command of how old exploitation movies look and sound. Like Robert Rodriguez and Quentin Tarantino’s similar cinematic fetish object “Grindhouse,” these two movies often veer too far into outright parody, which breaks the retro spell. Is all this postmodern goofery necessary? Maybe not. The original is supposed to be from 1979 - post-“Halloween,” pre-“Friday the 13th” - so it has a grainier look, sleazier thrills and a fuller plot. So viewers are supposed to follow “Part V” with the newly unearthed and restored (again, according to the meta-lore) “Third Saturday in October,” which tells the story of how Jack became a supernatural monster and began his kill-spree. In the “Part V” meta-lore, the original “Third Saturday in October” has been out of circulation for a while. Burleson wants viewers to start with “The Third Saturday in October: Part V,” in which masked murderer Jakkariah “Jack” Harding makes his yearly return to torment random southerners gathered around their TVs to watch an annual college football rivalry game. Writer-director Jay Burleson has made two separate homages to the kind of long-running horror franchises that genre fans would stumble across in video stores in the ’80s and ’90s. It’s not every slasher film that comes with instructions, so try to follow along with this. Keaton stars as Patsy McCartle, who since her husband’s death five years earlier has been struggling to keep food on the table for herself, teen son Jason (Michael Seater) and a younger boy (Colin Roberts as Kevin) whose health problems further strain the finances of a household whose wage-earner juggles jobs as a janitor and a waitress at a local diner.‘The Third Saturday in October: Part V’ / ‘The Third Saturday in October’ The results can be enormously powerful, painfully overwrought or somewhere in between, which is where Keaton’s handling of the role lands. Keaton, also an executive producer on the project, said she wanted to show “what can happen when you are living in America without money and don’t have any options.” But another reason actors find such parts irresistible is the chance to really let it rip and careen full tilt around the ecstasy-and-agony arc. One is the public-service aspect, which is what Oscar winner Diane Keaton cited as motivation for taking the role of a cash-strapped, drug-addled mother of two in tonight’s Lifetime movie “On Thin Ice” (9 p.m.). It’s the rare actor who can pass up the opportunity to play a character grappling with substance-abuse issues, and there are at least a couple of reasons why.
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